“And my cat bring forth a kitten with six paws!” yelped an old crone…

“And my cat bring forth a kitten with six paws!” yelped an old crone, launching a brick at him.

“Drink!” repeated Quasimodo panting, and for the third time.

At that moment he beheld the crowd give way. A young girl, fantastically dressed, emerged from the throng. She was accompanied by a little white goat with gilded horns, and carried a tambourine in her hand.

Quasimodo’s eyes sparkled. It was the gypsy whom he had attempted to carry off on the preceding night, a misdeed for which he was dimly conscious that he was being punished at that very moment; which was not in the least the case, since he was being chastised only for the misfortune of being deaf, and of having been judged by a deaf man. He doubted not that she had come to wreak her vengeance also, and to deal her blow like the rest.

He beheld her, in fact, mount the ladder rapidly. Wrath and spite suffocate him. He would have liked to make the pillory crumble into ruins, and if the lightning of his eye could have dealt death, the gypsy would have been reduced to powder before she reached the platform.

She approached, without uttering a syllable, the victim who writhed in a vain effort to escape her, and detaching a gourd from her girdle, she raised it gently to the parched lips of the miserable man.

Then, from that eye which had been, up to that moment, so dry and burning, a big tear was seen to fall, and roll slowly down that deformed visage so long contracted with despair. It was the first, in all probability, that the unfortunate man had ever shed.

Meanwhile, he had forgotten to drink. The gypsy made her little pout, from impatience, and pressed the spout to the tusked month of Quasimodo, with a smile.

He drank with deep draughts. His thirst was burning.

When he had finished, the wretch protruded his black lips, no doubt, with the object of kissing the beautiful hand which had just succoured him. But the young girl, who was, perhaps, somewhat distrustful, and who remembered the violent attempt of the night, withdrew her hand with the frightened gesture of a child who is afraid of being bitten by a beast.

Then the poor deaf man fixed on her a look full of reproach and inexpressible sadness.

It would have been a touching spectacle anywhere,—this beautiful, fresh, pure, and charming girl, who was at the same time so weak, thus hastening to the relief of so much misery, deformity, and malevolence. On the pillory, the spectacle was sublime.

The very populace were captivated by it, and began to clap their hands, crying,—

“Noël! Noël!”

It was at that moment that the recluse caught sight, from the window of her bole, of the gypsy on the pillory, and hurled at her her sinister imprecation,—

“Accursed be thou, daughter of Egypt! Accursed! accursed!”

CHAPTER V. END OF THE STORY OF THE CAKE.

La Esmeralda turned pale and descended from the pillory, staggering as she went. The voice of the recluse still pursued her,—

“Descend! descend! Thief of Egypt! thou shalt ascend it once more!”

“The sacked nun is in one of her tantrums,” muttered the populace; and that was the end of it. For that sort of woman was feared; which rendered them sacred. People did not then willingly attack one who prayed day and night.

The hour had arrived for removing Quasimodo. He was unbound, the crowd dispersed.

Near the Grand Pont, Mahiette, who was returning with her two companions, suddenly halted,—

“By the way, Eustache! what did you do with that cake?”

“Mother,” said the child, “while you were talking with that lady in the bole, a big dog took a bite of my cake, and then I bit it also.”

“What, sir, did you eat the whole of it?” she went on.

“Mother, it was the dog. I told him, but he would not listen to me. Then I bit into it, also.”

“’Tis a terrible child!” said the mother, smiling and scolding at one and the same time. “Do you see, Oudarde? He already eats all the fruit from the cherry-tree in our orchard of Charlerange. So his grandfather says that he will be a captain. Just let me catch you at it again, Master Eustache. Come along, you greedy fellow!”

VOLUME II.

BOOK SEVENTH.

CHAPTER I. THE DANGER OF CONFIDING ONE’S SECRET TO A GOAT.

Many weeks had elapsed.

The first of March had arrived. The sun, which Dubartas, that classic ancestor of periphrase, had not yet dubbed the “Grand-duke of Candles,” was none the less radiant and joyous on that account. It was one of those spring days which possesses so much sweetness and beauty, that all Paris turns out into the squares and promenades and celebrates them as though they were Sundays. In those days of brilliancy, warmth, and serenity, there is a certain hour above all others, when the façade of Notre-Dame should be admired. It is the moment when the sun, already declining towards the west, looks the cathedral almost full in the face. Its rays, growing more and more horizontal, withdraw slowly from the pavement of the square, and mount up the perpendicular façade, whose thousand bosses in high relief they cause to start out from the shadows, while the great central rose window flames like the eye of a cyclops, inflamed with the reflections of the forge.

This was the hour.

Opposite the lofty cathedral, reddened by the setting sun, on the stone balcony built above the porch of a rich Gothic house, which formed the angle of the square and the Rue du Parvis, several young girls were laughing and chatting with every sort of grace and mirth. From the length of the veil which fell from their pointed coif, twined with pearls, to their heels, from the fineness of the embroidered chemisette which covered their shoulders and allowed a glimpse, according to the pleasing custom of the time, of the swell of their fair virgin bosoms, from the opulence of their under-petticoats still more precious than their overdress (marvellous refinement), from the gauze, the silk, the velvet, with which all this was composed, and, above all, from the whiteness of their hands, which certified to their leisure and idleness, it was easy to divine they were noble and wealthy heiresses. They were, in fact, Damoiselle Fleur-de-Lys de Gondelaurier and her companions, Diane de Christeuil, Amelotte de Montmichel, Colombe de Gaillefontaine, and the little de Champchevrier maiden; all damsels of good birth, assembled at that moment at the house of the dame widow de Gondelaurier, on account of Monseigneur de Beaujeu and Madame his wife, who were to come to Paris in the month of April, there to choose maids of honor for the Dauphiness Marguerite, who was to be received in Picardy from the hands of the Flemings. Now, all the squires for twenty leagues around were intriguing for this favor for their daughters, and a goodly number of the latter had been already brought or sent to Paris. These four maidens had been confided to the discreet and venerable charge of Madame Aloïse de Gondelaurier, widow of a former commander of the king’s cross-bowmen, who had retired with her only daughter to her house in the Place du Parvis, Notre-Dame, in Paris.

The balcony on which these young girls stood opened from a chamber richly tapestried in fawn-colored Flanders leather, stamped with golden foliage. The beams, which cut the ceiling in parallel lines, diverted the eye with a thousand eccentric painted and gilded carvings. Splendid enamels gleamed here and there on carved chests; a boar’s head in faïence crowned a magnificent dresser, whose two shelves announced that the mistress of the house was the wife or widow of a knight banneret. At the end of the room, by the side of a lofty chimney blazoned with arms from top to bottom, in a rich red velvet arm-chair, sat Dame de Gondelaurier, whose five and fifty years were written upon her garments no less distinctly than upon her face.

Beside her stood a young man of imposing mien, although partaking somewhat of vanity and bravado—one of those handsome fellows whom all women agree to admire, although grave men learned in physiognomy shrug their shoulders at them. This young man wore the garb of a captain of the king’s unattached archers, which bears far too much resemblance to the costume of Jupiter, which the reader has already been enabled to admire in the first book of this history, for us to inflict upon him a second description.

The damoiselles were seated, a part in the chamber, a part in the balcony, some on square cushions of Utrecht velvet with golden corners, others on stools of oak carved in flowers and figures. Each of them held on her knee a section of a great needlework tapestry, on which they were working in company, while one end of it lay upon the rush mat which covered the floor.

They were chatting together in that whispering tone and with the half-stifled laughs peculiar to an assembly of young girls in whose midst there is a young man. The young man whose presence served to set in play all these feminine self-conceits, appeared to pay very little heed to the matter, and, while these pretty damsels were vying with one another to attract his attention, he seemed to be chiefly absorbed in polishing the buckle of his sword belt with his doeskin glove. From time to time, the old lady addressed him in a very low tone, and he replied as well as he was able, with a sort of awkward and constrained politeness.

From the smiles and significant gestures of Dame Aloïse, from the glances which she threw towards her daughter, Fleur-de-Lys, as she spoke low to the captain, it was easy to see that there was here a question of some betrothal concluded, some marriage near at hand no doubt, between the young man and Fleur-de-Lys. From the embarrassed coldness of the officer, it was easy to see that on his side, at least, love had no longer any part in the matter. His whole air was expressive of constraint and weariness, which our lieutenants of the garrison would to-day translate admirably as, “What a beastly bore!”

The poor dame, very much infatuated with her daughter, like any other silly mother, did not perceive the officer’s lack of enthusiasm, and strove in low tones to call his attention to the infinite grace with which Fleur-de-Lys used her needle or wound her skein.

“Come, little cousin,” she said to him, plucking him by the sleeve, in order to speak in his ear, “Look at her, do! see her stoop.”

“Yes, truly,” replied the young man, and fell back into his glacial and absent-minded silence.

A moment later, he was obliged to bend down again, and Dame Aloïse said to him,—

“Have you ever beheld a more gay and charming face than that of your betrothed? Can one be more white and blonde? are not her hands perfect? and that neck—does it not assume all the curves of the swan in ravishing fashion? How I envy you at times! and how happy you are to be a man, naughty libertine that you are! Is not my Fleur-de-Lys adorably beautiful, and are you not desperately in love with her?”

“Of course,” he replied, still thinking of something else.

“But do say something,” said Madame Aloïse, suddenly giving his shoulder a push; “you have grown very timid.”

We can assure our readers that timidity was neither the captain’s virtue nor his defect. But he made an effort to do what was demanded of him.

“Fair cousin,” he said, approaching Fleur-de-Lys, “what is the subject of this tapestry work which you are fashioning?”

“Fair cousin,” responded Fleur-de-Lys, in an offended tone, “I have already told you three times. ’Tis the grotto of Neptune.”

It was evident that Fleur-de-Lys saw much more clearly than her mother through the captain’s cold and absent-minded manner. He felt the necessity of making some conversation.

“And for whom is this Neptunerie destined?”

“For the Abbey of Saint-Antoine des Champs,” answered Fleur-de-Lys, without raising her eyes.

The captain took up a corner of the tapestry.

“Who, my fair cousin, is this big gendarme, who is puffing out his cheeks to their full extent and blowing a trumpet?”

“’Tis Triton,” she replied.

There was a rather pettish intonation in Fleur-de-Lys’s laconic words. The young man understood that it was indispensable that he should whisper something in her ear, a commonplace, a gallant compliment, no matter what. Accordingly he bent down, but he could find nothing in his imagination more tender and personal than this,—

“Why does your mother always wear that surcoat with armorial designs, like our grandmothers of the time of Charles VII.? Tell her, fair cousin, that ’tis no longer the fashion, and that the hinge (gond) and the laurel (laurier) embroidered on her robe give her the air of a walking mantlepiece. In truth, people no longer sit thus on their banners, I assure you.”

Fleur-de-Lys raised her beautiful eyes, full of reproach, “Is that all of which you can assure me?” she said, in a low voice.

In the meantime, Dame Aloïse, delighted to see them thus bending towards each other and whispering, said as she toyed with the clasps of her prayer-book,—

“Touching picture of love!”

The captain, more and more embarrassed, fell back upon the subject of the tapestry,—“’Tis, in sooth, a charming work!” he exclaimed.

Whereupon Colombe de Gaillefontaine, another beautiful blonde, with a white skin, dressed to the neck in blue damask, ventured a timid remark which she addressed to Fleur-de-Lys, in the hope that the handsome captain would reply to it, “My dear Gondelaurier, have you seen the tapestries of the Hôtel de la Roche-Guyon?”

“Is not that the hôtel in which is enclosed the garden of the Lingère du Louvre?” asked Diane de Christeuil with a laugh; for she had handsome teeth, and consequently laughed on every occasion.

“And where there is that big, old tower of the ancient wall of Paris,” added Amelotte de Montmichel, a pretty fresh and curly-headed brunette, who had a habit of sighing just as the other laughed, without knowing why.

“My dear Colombe,” interpolated Dame Aloïse, “do you not mean the hôtel which belonged to Monsieur de Bacqueville, in the reign of King Charles VI.? there are indeed many superb high warp tapestries there.”

“Charles VI.! Charles VI.!” muttered the young captain, twirling his moustache. “Good heavens! what old things the good dame does remember!”

Madame de Gondelaurier continued, “Fine tapestries, in truth. A work so esteemed that it passes as unrivalled.”

At that moment Bérangère de Champchevrier, a slender little maid of seven years, who was peering into the square through the trefoils of the balcony, exclaimed, “Oh! look, fair Godmother Fleur-de-Lys, at that pretty dancer who is dancing on the pavement and playing the tambourine in the midst of the loutish bourgeois!”