It was four and a half miles’ drive.
It was four and a half miles’ drive. Tiny buds on the hedges, vivid as copper-green, were opening into rosettes; and thrushes called, and blackbirds shrieked and scolded. It was a new, glamorous world.
Miriam, peeping through the kitchen window, saw the horse walk through the big white gate into the farmyard that was backed by the oak-wood, still bare. Then a youth in a heavy overcoat climbed down. He put up his hands for the whip and the rug that the good-looking, ruddy farmer handed down to him.
Miriam appeared in the doorway. She was nearly sixteen, very beautiful, with her warm colouring, her gravity, her eyes dilating suddenly like an ecstasy.
“I say,” said Paul, turning shyly aside, “your daffodils are nearly out. Isn’t it early? But don’t they look cold?”
“Cold!” said Miriam, in her musical, caressing voice.
“The green on their buds—” and he faltered into silence timidly.
“Let me take the rug,” said Miriam over-gently.
“I can carry it,” he answered, rather injured. But he yielded it to her.
Then Mrs. Leivers appeared.
“I’m sure you’re tired and cold,” she said. “Let me take your coat. It is heavy. You mustn’t walk far in it.”
She helped him off with his coat. He was quite unused to such attention. She was almost smothered under its weight.
“Why, mother,” laughed the farmer as he passed through the kitchen, swinging the great milk-churns, “you’ve got almost more than you can manage there.”
She beat up the sofa cushions for the youth.
The kitchen was very small and irregular. The farm had been originally a labourer’s cottage. And the furniture was old and battered. But Paul loved it—loved the sack-bag that formed the hearthrug, and the funny little corner under the stairs, and the small window deep in the corner, through which, bending a little, he could see the plum trees in the back garden and the lovely round hills beyond.
“Won’t you lie down?” said Mrs. Leivers.
“Oh no; I’m not tired,” he said. “Isn’t it lovely coming out, don’t you think? I saw a sloe-bush in blossom and a lot of celandines. I’m glad it’s sunny.”
“Can I give you anything to eat or to drink?”
“No, thank you.”
“How’s your mother?”
“I think she’s tired now. I think she’s had too much to do. Perhaps in a little while she’ll go to Skegness with me. Then she’ll be able to rest. I s’ll be glad if she can.”
“Yes,” replied Mrs. Leivers. “It’s a wonder she isn’t ill herself.”
Miriam was moving about preparing dinner. Paul watched everything that happened. His face was pale and thin, but his eyes were quick and bright with life as ever. He watched the strange, almost rhapsodic way in which the girl moved about, carrying a great stew-jar to the oven, or looking in the saucepan. The atmosphere was different from that of his own home, where everything seemed so ordinary. When Mr. Leivers called loudly outside to the horse, that was reaching over to feed on the rose-bushes in the garden, the girl started, looked round with dark eyes, as if something had come breaking in on her world. There was a sense of silence inside the house and out. Miriam seemed as in some dreamy tale, a maiden in bondage, her spirit dreaming in a land far away and magical. And her discoloured, old blue frock and her broken boots seemed only like the romantic rags of King Cophetua’s beggar-maid.
She suddenly became aware of his keen blue eyes upon her, taking her all in. Instantly her broken boots and her frayed old frock hurt her. She resented his seeing everything. Even he knew that her stocking was not pulled up. She went into the scullery, blushing deeply. And afterwards her hands trembled slightly at her work. She nearly dropped all she handled. When her inside dream was shaken, her body quivered with trepidation. She resented that he saw so much.
Mrs. Leivers sat for some time talking to the boy, although she was needed at her work. She was too polite to leave him. Presently she excused herself and rose. After a while she looked into the tin saucepan.
“Oh dear, Miriam,” she cried, “these potatoes have boiled dry!”
Miriam started as if she had been stung.
“Have they, mother?” she cried.
“I shouldn’t care, Miriam,” said the mother, “if I hadn’t trusted them to you.” She peered into the pan.
The girl stiffened as if from a blow. Her dark eyes dilated; she remained standing in the same spot.
“Well,” she answered, gripped tight in self-conscious shame, “I’m sure I looked at them five minutes since.”
“Yes,” said the mother, “I know it’s easily done.”
“They’re not much burned,” said Paul. “It doesn’t matter, does it?”
Mrs. Leivers looked at the youth with her brown, hurt eyes.
“It wouldn’t matter but for the boys,” she said to him. “Only Miriam knows what a trouble they make if the potatoes are ‘caught’.”
“Then,” thought Paul to himself, “you shouldn’t let them make a trouble.”
After a while Edgar came in. He wore leggings, and his boots were covered with earth. He was rather small, rather formal, for a farmer. He glanced at Paul, nodded to him distantly, and said:
“Dinner ready?”
“Nearly, Edgar,” replied the mother apologetically.
“I’m ready for mine,” said the young man, taking up the newspaper and reading. Presently the rest of the family trooped in. Dinner was served. The meal went rather brutally. The over-gentleness and apologetic tone of the mother brought out all the brutality of manners in the sons. Edgar tasted the potatoes, moved his mouth quickly like a rabbit, looked indignantly at his mother, and said:
“These potatoes are burnt, mother.”
“Yes, Edgar. I forgot them for a minute. Perhaps you’ll have bread if you can’t eat them.”
Edgar looked in anger across at Miriam.
“What was Miriam doing that she couldn’t attend to them?” he said.
Miriam looked up. Her mouth opened, her dark eyes blazed and winced, but she said nothing. She swallowed her anger and her shame, bowing her dark head.
“I’m sure she was trying hard,” said the mother.
“She hasn’t got sense even to boil the potatoes,” said Edgar. “What is she kept at home for?”
“On’y for eating everything that’s left in th’ pantry,” said Maurice.
“They don’t forget that potato-pie against our Miriam,” laughed the father.
She was utterly humiliated. The mother sat in silence, suffering, like some saint out of place at the brutal board.
It puzzled Paul. He wondered vaguely why all this intense feeling went running because of a few burnt potatoes. The mother exalted everything—even a bit of housework—to the plane of a religious trust. The sons resented this; they felt themselves cut away underneath, and they answered with brutality and also with a sneering superciliousness.
Paul was just opening out from childhood into manhood. This atmosphere, where everything took a religious value, came with a subtle fascination to him. There was something in the air. His own mother was logical. Here there was something different, something he loved, something that at times he hated.
Miriam quarrelled with her brothers fiercely. Later in the afternoon, when they had gone away again, her mother said:
“You disappointed me at dinner-time, Miriam.”
The girl dropped her head.
“They are such brutes!” she suddenly cried, looking up with flashing eyes.
“But hadn’t you promised not to answer them?” said the mother. “And I believed in you. I can’t stand it when you wrangle.”
“But they’re so hateful!” cried Miriam, “and—and low.”
“Yes, dear. But how often have I asked you not to answer Edgar back? Can’t you let him say what he likes?”
“But why should he say what he likes?”
“Aren’t you strong enough to bear it, Miriam, if even for my sake? Are you so weak that you must wrangle with them?”
Mrs. Leivers stuck unflinchingly to this doctrine of “the other cheek”. She could not instil it at all into the boys. With the girls she succeeded better, and Miriam was the child of her heart. The boys loathed the other cheek when it was presented to them. Miriam was often sufficiently lofty to turn it. Then they spat on her and hated her. But she walked in her proud humility, living within herself.
There was always this feeling of jangle and discord in the Leivers family. Although the boys resented so bitterly this eternal appeal to their deeper feelings of resignation and proud humility, yet it had its effect on them. They could not establish between themselves and an outsider just the ordinary human feeling and unexaggerated friendship; they were always restless for the something deeper. Ordinary folk seemed shallow to them, trivial and inconsiderable. And so they were unaccustomed, painfully uncouth in the simplest social intercourse, suffering, and yet insolent in their superiority. Then beneath was the yearning for the soul-intimacy to which they could not attain because they were too dumb, and every approach to close connection was blocked by their clumsy contempt of other people. They wanted genuine intimacy, but they could not get even normally near to anyone, because they scorned to take the first steps, they scorned the triviality which forms common human intercourse.
Paul fell under Mrs. Leivers’s spell. Everything had a religious and intensified meaning when he was with her. His soul, hurt, highly developed, sought her as if for nourishment. Together they seemed to sift the vital fact from an experience.
Miriam was her mother’s daughter. In the sunshine of the afternoon mother and daughter went down the fields with him. They looked for nests. There was a jenny wren’s in the hedge by the orchard.
“I do want you to see this,” said Mrs. Leivers.
He crouched down and carefully put his finger through the thorns into the round door of the nest.
“It’s almost as if you were feeling inside the live body of the bird,” he said, “it’s so warm. They say a bird makes its nest round like a cup with pressing its breast on it. Then how did it make the ceiling round, I wonder?”
The nest seemed to start into life for the two women. After that, Miriam came to see it every day. It seemed so close to her. Again, going down the hedgeside with the girl, he noticed the celandines, scalloped splashes of gold, on the side of the ditch.
“I like them,” he said, “when their petals go flat back with the sunshine. They seemed to be pressing themselves at the sun.”
And then the celandines ever after drew her with a little spell. Anthropomorphic as she was, she stimulated him into appreciating things thus, and then they lived for her. She seemed to need things kindling in her imagination or in her soul before she felt she had them. And she was cut off from ordinary life by her religious intensity which made the world for her either a nunnery garden or a paradise, where sin and knowledge were not, or else an ugly, cruel thing.
So it was in this atmosphere of subtle intimacy, this meeting in their common feeling for something in Nature, that their love started.
Personally, he was a long time before he realised her. For ten months he had to stay at home after his illness. For a while he went to Skegness with his mother, and was perfectly happy. But even from the seaside he wrote long letters to Mrs. Leivers about the shore and the sea. And he brought back his beloved sketches of the flat Lincoln coast, anxious for them to see. Almost they would interest the Leivers more than they interested his mother. It was not his art Mrs. Morel cared about; it was himself and his achievement. But Mrs. Leivers and her children were almost his disciples. They kindled him and made him glow to his work, whereas his mother’s influence was to make him quietly determined, patient, dogged, unwearied.
He soon was friends with the boys, whose rudeness was only superficial. They had all, when they could trust themselves, a strange gentleness and lovableness.
“Will you come with me on to the fallow?” asked Edgar, rather hesitatingly.
Paul went joyfully, and spent the afternoon helping to hoe or to single turnips with his friend. He used to lie with the three brothers in the hay piled up in the barn and tell them about Nottingham and about Jordan’s. In return, they taught him to milk, and let him do little jobs—chopping hay or pulping turnips—just as much as he liked. At midsummer he worked all through hay-harvest with them, and then he loved them. The family was so cut off from the world actually. They seemed, somehow, like “les derniers fils d’une race épuisée”. Though the lads were strong and healthy, yet they had all that over-sensitiveness and hanging-back which made them so lonely, yet also such close, delicate friends once their intimacy was won. Paul loved them dearly, and they him.
Miriam came later. But he had come into her life before she made any mark on his. One dull afternoon, when the men were on the land and the rest at school, only Miriam and her mother at home, the girl said to him, after having hesitated for some time:
“Have you seen the swing?”
“No,” he answered. “Where?”
“In the cowshed,” she replied.
She always hesitated to offer or to show him anything. Men have such different standards of worth from women, and her dear things—the valuable things to her—her brothers had so often mocked or flouted.
“Come on, then,” he replied, jumping up.
There were two cowsheds, one on either side of the barn. In the lower, darker shed there was standing for four cows. Hens flew scolding over the manger-wall as the youth and girl went forward for the great thick rope which hung from the beam in the darkness overhead, and was pushed back over a peg in the wall.
“It’s something like a rope!” he exclaimed appreciatively; and he sat down on it, anxious to try it. Then immediately he rose.
“Come on, then, and have first go,” he said to the girl.
“See,” she answered, going into the barn, “we put some bags on the seat;” and she made the swing comfortable for him. That gave her pleasure. He held the rope.
“Come on, then,” he said to her.
“No, I won’t go first,” she answered.
She stood aside in her still, aloof fashion.
“Why?”
“You go,” she pleaded.
Almost for the first time in her life she had the pleasure of giving up to a man, of spoiling him. Paul looked at her.
“All right,” he said, sitting down. “Mind out!”
He set off with a spring, and in a moment was flying through the air, almost out of the door of the shed, the upper half of which was open, showing outside the drizzling rain, the filthy yard, the cattle standing disconsolate against the black cartshed, and at the back of all the grey-green wall of the wood. She stood below in her crimson tam-o’-shanter and watched. He looked down at her, and she saw his blue eyes sparkling.