Chapter 110

The curiosity of knowing things has been given to man for a scourge, says the Holy Scripture. But to return to what concerns myself; I think it would be very difficult for any other man to have a meaner opinion of himself; nay, for any other to have a meaner opinion of me than of myself: I look upon myself as one of the common sort, saving in this, that I have no better an opinion of myself; guilty of the meanest and most popular defects, but not disowning or excusing them; and I do not value myself upon any other account than because I know my own value. If there be any vanity in the case, ‘tis superficially infused into me by the treachery of my complexion, and has no body that my judgment can discern: I am sprinkled, but not dyed. For in truth, as to the effects of the mind, there is no part of me, be it what it will, with which I am satisfied; and the approbation of others makes me not think the better of myself. My judgment is tender and nice, especially in things that concern myself. I ever repudiate myself, and feel myself float and waver by reason of my weakness. I have nothing of my own that satisfies my judgment. My sight is clear and regular enough, but, at working, it is apt to dazzle; as I most manifestly find in poetry: I love it infinitely, and am able to give a tolerable judgment of other men’s works; but, in good earnest, when I apply myself to it, I play the child, and am not able to endure myself. A man may play the fool in everything else, but not in poetry; “Mediocribus esse poetis Non dii, non homines, non concessere columnae.” [“Neither men, nor gods, nor the pillars (on which the poets offered their writings) permit mediocrity in poets.” --Horace, De Arte Poet., 372.] I would to God this sentence was written over the doors of all our printers, to forbid the entrance of so many rhymesters! “Verum Nihil securius est malo poetae.” [“The truth is, that nothing is more confident than a bad poet.” --Martial, xii. 63, 13.] Why have not we such people?--[As those about to be mentioned.]-- Dionysius the father valued himself upon nothing so much as his poetry; at the Olympic games, with chariots surpassing all the others in magnificence, he sent also poets and musicians to present his verses, with tent and pavilions royally gilt and hung with tapestry. When his verses came to be recited, the excellence of the delivery at first attracted the attention of the people; but when they afterwards came to poise the meanness of the composition, they first entered into disdain, and continuing to nettle their judgments, presently proceeded to fury, and ran to pull down and tear to pieces all his pavilions: and, that his chariots neither performed anything to purpose in the race, and that the ship which brought back his people failed of making Sicily, and was by the tempest driven and wrecked upon the coast of Tarentum, they certainly believed was through the anger of the gods, incensed, as they themselves were, against the paltry Poem; and even the mariners who escaped from the wreck seconded this opinion of the people: to which also the oracle that foretold his death seemed to subscribe; which was, “that Dionysius should be near his end, when he should have overcome those who were better than himself,” which he interpreted of the Carthaginians, who surpassed him in power; and having war with them, often declined the victory, not to incur the sense of this prediction; but he understood it ill; for the god indicated the time of the advantage, that by favour and injustice he obtained at Athens over the tragic poets, better than himself, having caused his own play called the Leneians to be acted in emulation; presently after which victory he died, and partly of the excessive joy he conceived at the success. [Diodorus Siculus, xv. 7.--The play, however, was called the “Ransom of Hector.” It was the games at which it was acted that were called Leneian; they were one of the four Dionysiac festivals.] What I find tolerable of mine, is not so really and in itself, but in comparison of other worse things, that I see well enough received. I envy the happiness of those who can please and hug themselves in what they do; for ‘tis an easy thing to be so pleased, because a man extracts that pleasure from himself, especially if he be constant in his self-conceit. I know a poet, against whom the intelligent and the ignorant, abroad and at home, both heaven and earth exclaim that he has but very little notion of it; and yet, for all that, he has never a whit the worse opinion of himself; but is always falling upon some new piece, always contriving some new invention, and still persists in his opinion, by so much the more obstinately, as it only concerns him to maintain it. My works are so far from pleasing me, that as often as I review them, they disgust me: “Cum relego, scripsisse pudet; quia plurima cerno, Me quoque, qui feci, judice, digna lini.” [“When I reperuse, I blush at what I have written; I ever see one passage after another that I, the author, being the judge, consider should be erased.”--Ovid, De Ponto, i. 5, 15.] I have always an idea in my soul, and a sort of disturbed image which presents me as in a dream with a better form than that I have made use of; but I cannot catch it nor fit it to my purpose; and even that idea is but of the meaner sort. Hence I conclude that the productions of those great and rich souls of former times are very much beyond the utmost stretch of my imagination or my wish; their writings do not only satisfy and fill me, but they astound me, and ravish me with admiration; I judge of their beauty; I see it, if not to the utmost, yet so far at least as ‘tis possible for me to aspire. Whatever I undertake, I owe a sacrifice to the Graces, as Plutarch says of some one, to conciliate their favour: “Si quid enim placet, Si quid dulce horninum sensibus influit, Debentur lepidis omnia Gratiis.” [“If anything please that I write, if it infuse delight into men’s minds, all is due to the charming Graces.” The verses are probably by some modern poet.] They abandon me throughout; all I write is rude; polish and beauty are wanting: I cannot set things off to any advantage; my handling adds nothing to the matter; for which reason I must have it forcible, very full, and that has lustre of its own. If I pitch upon subjects that are popular and gay, ‘tis to follow my own inclination, who do not affect a grave and ceremonious wisdom, as the world does; and to make myself more sprightly, but not my style more wanton, which would rather have them grave and severe; at least if I may call that a style which is an inform and irregular way of speaking, a popular jargon, a proceeding without definition, division, conclusion, perplexed like that Amafanius and Rabirius.--[Cicero, Acad., i. 2.]--I can neither please nor delight, nor even tickle my readers: the best story in the world is spoiled by my handling, and becomes flat; I cannot speak but in rough earnest, and am totally unprovided of that facility which I observe in many of my acquaintance, of entertaining the first comers and keeping a whole company in breath, or taking up the ear of a prince with all sorts of discourse without wearying themselves: they never want matter by reason of the faculty and grace they have in taking hold of the first thing that starts up, and accommodating it to the humour and capacity of those with whom they have to do. Princes do not much affect solid discourses, nor I to tell stories. The first and easiest reasons, which are commonly the best taken, I know not how to employ: I am an ill orator to the common sort. I am apt of everything to say the extremest that I know. Cicero is of opinion that in treatises of philosophy the exordium is the hardest part; if this be true, I am wise in sticking to the conclusion. And yet we are to know how to wind the string to all notes, and the sharpest is that which is the most seldom touched. There is at least as much perfection in elevating an empty as in supporting a weighty thing. A man must sometimes superficially handle things, and sometimes push them home. I know very well that most men keep themselves in this lower form from not conceiving things otherwise than by this outward bark; but I likewise know that the greatest masters, and Xenophon and Plato are often seen to stoop to this low and popular manner of speaking and treating of things, but supporting it with graces which never fail them. Farther, my language has nothing in it that is facile and polished; ‘tis rough, free, and irregular, and as such pleases, if not my judgment, at all events my inclination, but I very well perceive that I sometimes give myself too much rein, and that by endeavouring to avoid art and affectation I fall into the other inconvenience: “Brevis esse laboro, Obscurus fio.” [ Endeavouring to be brief, I become obscure.” --Hor., Art. Poet., 25.] Plato says, that the long or the short are not properties, that either take away or give value to language. Should I attempt to follow the other more moderate, united, and regular style, I should never attain to it; and though the short round periods of Sallust best suit with my humour, yet I find Caesar much grander and harder to imitate; and though my inclination would rather prompt me to imitate Seneca’s way of writing, yet I do nevertheless more esteem that of Plutarch. Both in doing and speaking I simply follow my own natural way; whence, peradventure, it falls out that I am better at speaking than writing. Motion and action animate words, especially in those who lay about them briskly, as I do, and grow hot. The comportment, the countenance; the voice, the robe, the place, will set off some things that of themselves would appear no better than prating. Messalla complains in Tacitus of the straitness of some garments in his time, and of the fashion of the benches where the orators were to declaim, that were a disadvantage to their eloquence. My French tongue is corrupted, both in the pronunciation and otherwise, by the barbarism of my country. I never saw a man who was a native of any of the provinces on this side of the kingdom who had not a twang of his place of birth, and that was not offensive to ears that were purely French. And yet it is not that I am so perfect in my Perigordin: for I can no more speak it than High Dutch, nor do I much care. ‘Tis a language (as the rest about me on every side, of Poitou, Xaintonge, Angoumousin, Limousin, Auvergne), a poor, drawling, scurvy language. There is, indeed, above us towards the mountains a sort of Gascon spoken, that I am mightily taken with: blunt, brief, significant, and in truth a more manly and military language than any other I am acquainted with, as sinewy, powerful, and pertinent as the French is graceful, neat, and luxuriant. As to the Latin, which was given me for my mother tongue, I have by discontinuance lost the use of speaking it, and, indeed, of writing it too, wherein I formerly had a particular reputation, by which you may see how inconsiderable I am on that side. Beauty is a thing of great recommendation in the correspondence amongst men; ‘tis the first means of acquiring the favour and good liking of one another, and no man is so barbarous and morose as not to perceive himself in some sort struck with its attraction. The body has a great share in our being, has an eminent place there, and therefore its structure and composition are of very just consideration. They who go about to disunite and separate our two principal parts from one another are to blame; we must, on the contrary, reunite and rejoin them. We must command the soul not to withdraw and entertain itself apart, not to despise and abandon the body (neither can she do it but by some apish counterfeit), but to unite herself close to it, to embrace, cherish, assist, govern, and advise it, and to bring it back and set it into the true way when it wanders; in sum, to espouse and be a husband to it, so that their effects may not appear to be diverse and contrary, but uniform and concurring. Christians have a particular instruction concerning this connection, for they know that the Divine justice embraces this society and juncture of body and soul, even to the making the body capable of eternal rewards; and that God has an eye to the whole man’s ways, and wills that he receive entire chastisement or reward according to his demerits or merits. The sect of the Peripatetics, of all sects the most sociable, attribute to wisdom this sole care equally to provide for the good of these two associate parts: and the other sects, in not sufficiently applying themselves to the consideration of this mixture, show themselves to be divided, one for the body and the other for the soul, with equal error, and to have lost sight of their subject, which is Man, and their guide, which they generally confess to be Nature. The first distinction that ever was amongst men, and the first consideration that gave some pre-eminence over others, ‘tis likely was the advantage of beauty: “Agros divisere atque dedere Pro facie cujusque, et viribus ingenioque; Nam facies multum valuit, viresque vigebant.” [“They distributed and conferred the lands to every man according to his beauty and strength and understanding, for beauty was much esteemed and strength was in favour.”--Lucretius, V. 1109.] Now I am of something lower than the middle stature, a defect that not only borders upon deformity, but carries withal a great deal of inconvenience along with it, especially for those who are in office and command; for the authority which a graceful presence and a majestic mien beget is wanting. C. Marius did not willingly enlist any soldiers who were not six feet high. The Courtier has, indeed, reason to desire a moderate stature in the gentlemen he is setting forth, rather than any other, and to reject all strangeness that should make him be pointed at.